American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".  Related Paintings of Thomas Eakins :. | Miss Amelia Van Buren | The Portrait of Mary | Self Portrait hbn | The Landscape ofSeville | Self portrait |
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Sanford Gifford
(July 10, 1823 C August 29, 1880) was an American landscape painter and one of the leading members of the Hudson River School. Gifford's landscapes are known for their emphasis on light and soft atmospheric effects, and he is regarded as a practitioner of Luminism, an offshoot style of the Hudson River School.
Wladyslaw Czachorski
(1850-1911) was a Polish artist. In 1866 Czachorski went to the Warsaw Drawing School and had Rafał Hadziewicz as a peer. Then he spent one year at the Dresden Academy and from there went to Munich Academy (1869-1873) some of his classmates were: Hermann Anschetz, Karl von Piloty, and Alexander Wagner. He received Magna Cum Laude (the Grand Silver Medal) from Munich, and proceeded to travel to France, Italy and Poland after his graduation. He held membership to Berlin academy and has also organizer and jurist of international exhibitions even though he had his home in Munich. He was awarded the Bavarian Order of Saint Michael in 1893. He had many art exhibitions in Poland. Some took place in Krakew, Warsaw, Łedź, and Lwew. After his death in 1911, a posthumous showing was held at the Warsaw "Zachęta" Society of Fine Arts. Some of Czachorski's noted works were: still lifes, painted portraits, and Shakespearean scenes. Some of these that he painted were: Julliette's Funeral (1873), Hamlet (1873), and, most notably, Hamlet Receiving the Players (1875); widely recognized as his greatest works. His paintings can be found in all the more famous and sizable museums of Poland. His works also make appearances in private collections in many countries including: Germany, Poland, England and the United States. They can also be found in foreign museums such as Lwew, Bremen and the Academia de San Carlos in Mexico City.
Bartolome Perez
(1634-1693) was a Spanish painter of the Baroque period. Born in Madrid, he became the son-in-law and pupil of the painter Juan de Arellano. Known as a painter of flowers and still life, known as bodegones. He also painted scenography for performances at the theater of Buen Retiro, for which he was named painter of the King without salary in January of 1689. He died after falling from a scaffold used to paint the ceiling of the palace of Monteleon, and was buried in the church of San Ildefonso.